- 正在播放《欧洲的某个地方》HD中字 - 无尽
- 提醒不要轻易相信视频中的任何广告，谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢，可尝试切换播放节点或者切换解析
- 收藏阿飞影视-影视快人一步 - 每日更新网址：ys.wyx.hair / ys.wyx.hair ,记得收藏哟～
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
收起
相关影片
HD国语
2024
剧情片
中国大陆
更新HD
2024
剧情片
中国大陆
更新HD
2025
剧情片
意大利
更新HD
2026
剧情片
美国
查莉XCX 亚历山大·斯卡斯加德 瑞秋·塞诺特 凯特·贝兰特 罗姗娜·阿奎特 詹米·德米特鲁 凯莉·詹娜 阿丽尔·朵巴丝勒 迈克尔·沃克耶 海利·盖茨 艾萨克·鲍威尔 里什·沙阿 特鲁·马伦 莎拉·贝克·马瑟 瑞安娜·杜斯 Richard Perez 埃什·阿拉迪 Keanan Cantrell James Bayes Mel Ottenberg
一位冉冉升起的流行歌手在为她的巡回演唱会首秀做准备的同时，努力应对名利和行业压力的复杂压力，揭示了地下文化向主流成功的转变。
更新HD
2025
剧情片
法国
更新HD
1958
剧情片
大陆
HD国语
2024
剧情片
其它
HD中字
HD中字
2024
剧情片
韩国
HD中字
2024
剧情片
韩国
HD中字
2025
剧情片
法国
HD中字
HD中字
2025
剧情片
加拿大
HD中字
正在热播
更多
更新至176集
2025
中国动漫
中国大陆
热播
全40集
2025
中国动漫
中国大陆
热播
全40集
2025
喜剧片
中国大陆
热播
正片
